Why is the fashion industry showing support for Alexander Wang despite allegations against him? This poses a problem. Alexander Wang recently made a comeback in the New York City fashion scene after facing multiple accusations of sexual assault. His Fall 2023 show, titled “Cupid’s Door,” featured a romantic theme with zebra-print carpeting, pink velvet drapes, and sensual red lighting. Notable figures such as Anna Wintour were in attendance, and models Gabbriette Bechtel and Julia Fox walked the runway. This star-studded event made it clear that Alexander Wang is back, but the question remains: why is the fashion industry so quick to forgive and forget?
Alexander Wang rose to fame in the late 2000s with his eponymous label, which embodied a New York City party-goer aesthetic. However, in 2019, his captivating image was called into question when he faced allegations of sexual assault. Model Owen Mooney accused Wang of groping him in 2017, and other accounts emerged on social media, accusing the designer of drugging, non-consensual touching, and exposing the genitals of victims, many of whom were trans women.
Initially, Wang denied these claims but later met with his accusers in March 2021 and issued a statement on Instagram expressing remorse. He acknowledged the individuals who came forward and their right to share their stories, expressing regret for causing them pain. While he mentioned disagreements on some details, he pledged to set a better example and use his influence to discourage harmful behaviors. Since then, Wang has mostly stayed out of the public eye until his recent comeback.
Wang’s return to the New York fashion scene has received significant industry support, raising eyebrows. For example, Julia Fox, who closed his February 8 show, defended her decision to support the controversial designer on TikTok. She argued that there should be room for rehabilitation for those who put in the work, heal, and learn from their mistakes. However, it is unclear what “work” Alexander Wang has done.
Despite the controversy, Wang’s label has not suffered greatly. He has expanded his brand presence in China, opened new stores, attracted investors, and maintained an exclusive celebrity client roster. His designs have adorned A-listers at high-profile events, bringing in over $200 million in annual sales. This momentum, combined with his return, highlights the imbalanced power dynamics between Wang and his alleged victims, revealing the fashion industry’s tendency to prioritize individuals with influence over taking victims seriously.
Unfortunately, Alexander Wang’s refreshed brand image aligns with the current counterculture trends. His promotional video features Anna Delvey, a fraudster-turned-fashion-icon, flaunting her ankle monitor. Models Julia Fox and Gabbriette Bechtel, known for their rebellious beauty choices, have become standout stars for the brand. Vogue praises Wang for understanding what younger audiences desire, with his collection featuring low-slung pants, faux fur jackets, and animal print motifs. In summary, Alexander Wang has become cool again.
Despite the allegations against him, Wang has gained more influence and financial backing, indicating that a reputation tarnished by sexual assault accusations can be repackaged as new and trendy. Unfortunately, his return to the fashion industry’s favor reflects a system that prioritizes powerful individuals and disregards or exploits those without power.
By promoting controversial figures for shock value, the fashion industry consistently views controversy as its most valuable currency. However, it begs the question: when will the industry truly embrace accountability?